The graphic novel, winner of the Pulitzer prize of Art Spiegelman, Maus is a point of reference in the rendering of the accounts with the Holocaust and the turning point in serious comic art-but its complete results are more remarkable and eclectic. Art Spiegelman: Disaster is my muse tracking its beginnings in the 1960s as a co-creator of extravagant packages commercial packages; His co-foundation of Arcade underground comics magazines (with Bill Griffith) and Raw (with his wife Françoise Mouly); In the shade of No Towers, his reaction to 11 September, inspired to attend the attacks from his home in the lower part of Manhattan; Its controversial covers for the New Yorker (1993-2003) who pushed the NYPD to pump the magazine office; and his public response to the recent ban of Maus by a school council of Tennessee. Spiegelman demonstrates an eloquent guide through his provocative work, together with contemporaries (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) inspired by the grumpy confrontation of Spiegelman of personally traumatic themes.

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